{"id":3422,"date":"2007-09-10T09:50:21","date_gmt":"2007-09-10T08:50:21","guid":{"rendered":"http:\/\/dev.www.charlesfreger.com\/?p=3422"},"modified":"2014-08-07T09:51:08","modified_gmt":"2014-08-07T08:51:08","slug":"heres-the-base-of-my-seijinshiki-series","status":"publish","type":"post","link":"https:\/\/www.charlesfreger.com\/fr\/2007\/09\/10\/heres-the-base-of-my-seijinshiki-series\/","title":{"rendered":"Here&rsquo;s the base of my Seijinshiki series"},"content":{"rendered":"<p>\u6210\u4eba\u5f0f I photographed this in January in Osaka, Japan. But the second step of this project has been to create an artificial background to the 12 selected portraits. It&rsquo;s like if each of the young women would have been photographed in a studio, with one of these painted background. These images will be presented soon in Osaka and also in Brussel, at the Brussel Art fair, as a one man show. But what you see, finally, is not the definitive image. Each image is also the base of a collage. It&rsquo;s the first time, I work like this, and it&rsquo;s been a complete different organization, with a close collaboration with two graphic designers. Soon, the complete series will be online, with its collage.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u6210\u4eba\u5f0f I photographed this in January in Osaka, Japan. But the second step of this project has been to create an artificial background to the 12 selected portraits. It&rsquo;s like if each of the young women would have been photographed &#8230;<\/p>\n","protected":false},"author":1,"featured_media":3423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3422","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-non-classe","post_format-post-format-image"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"\u6210\u4eba\u5f0f I photographed this in January in Osaka, Japan. But the second step of this project has been to create an artificial background to the 12 selected portraits. It&#039;s like if each of the young women would have been photographed in a studio, with one of these painted background. 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It&#039;s like if each of the young women would have been photographed in a studio, with one of these painted background. These images will be presented soon\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/www.charlesfreger.com\/fr\/2007\/09\/10\/heres-the-base-of-my-seijinshiki-series\/\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2007-09-10T08:50:21+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2014-08-07T08:51:08+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Here\u2019s the base of my Seijinshiki series | Charles Fr\u00e9ger\" \/>\n\t\t<meta name=\"twitter:description\" content=\"\u6210\u4eba\u5f0f I photographed this in January in Osaka, Japan. But the second step of this project has been to create an artificial background to the 12 selected portraits. 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